Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.
Censored Voices (2015)
The 1967 ‘Six-Day’ war ended with Israel’s decisive victory; conquering Jerusalem, Gaza, Sinai and the West Bank. It is a war portrayed, to this day, as a righteous undertaking – a radiant emblem of Jewish pride. One week after the war, a group of young kibbutzniks, led by renowned author Amos Oz, recorded intimate conversations with soldiers returning from the battlefield. The recording revealed an honest look at the moment Israel turned from David to Goliath. The Israeli army censored the recordings, allowing the kibbutzniks to publish only a fragment of the conversations. ‘Censored Voices’ reveals the original recordings for the first time.
84 minutes.
Awards of the Israeli Film Academy 2015
| Won Award of the Israeli Film Academy |
Best Documentary |
DocAviv Film Festival 2015
| Won Israeli Competition |
Yafo Award for Best Debut Film Mor Loushy “It’s rare to see a film from a young filmmaker that treats a complex subject with such depth, … More |
| Research Award Mor Loushy “Bringing together a wealth of previously unseen and unheard archive materials and combining them … More |
|
| Nominated Israeli Competition |
Best Israeli Film Mor Loushy |
London Film Festival 2015
| Nominated Grierson Award |
Documentary Film Mor Loushy |
Sundance Film Festival 2015
| Nominated Grand Jury Prize |
World Cinema – Documentary Mor Loushy |
JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.
Sabena Hijacking (2015)
Sabena Hijacking My Version is a powerful, suspenseful docu-drama based on previously undiscovered audio recordings of the former pilot, Captain Reginald Levy. Captain Levy (now deceased) was in command of the Sabena Flight 571 from Brussels, Belgium to Tel Aviv, Israel on 8 May 1972, when it was hijacked by four members from the “Black September”, the armed wing of Fatah or Palestine Liberalization Organisation.
The film finally shares the untold story of what exactly took place on the flight throughout 30 hours of nerve-wrecking captivity. It channels the English pilots impartial view of the events and elaborates on them with exclusive access to three revered Israeli political leaders who were in charge of the rescue effort, as well as the only surviving hijacker, who tell their own story.
Current Prime Minister Benjamin Netanyahu featured, alongside the other key political decision makers at the time, former Prime Minister Ehud Barak and former Prime Minister, President and Nobel Prize winner Shimon Peres.
Therese Halsa, one of the four hijackers who was a girl of just 18 at the time, gives her version of events, following release from a 220 year prison sentence of which she served 13 years. Sabena Hijacking My Version fuses candid interviews with archive material and dramatic reenactments of the tense scenes inside the aircraft and the control tower as Captain Levy was held at gunpoint.
It takes viewers into the aircraft to witness the events first-hand as the hijackers threatened to explode hand grenades unless 300 prisoners were released. It also gives insight to the tense negotiations which eventually led to a heroic rescue operation during which a special unit of soldiers (disguised as technicians) stormed the plane.
The result is a captivating, fast-paced film full of suspense, which poses significant political and historical questions that are not only still important, but have shaped the Israel of today.
104 minutes.
If you’ve not heard of Israeli choreographer Ohad Naharin, you’ll wonder how that could have been once you’ve seen what he does in this film. For dance aficionados, this is surely the most anticipated artist portrait since Wim Wenders’ Pina.
“A spectacular and celebratory investigation of a modern dancer’s creative process, this documentary tracks the four decades-long career of renowned choreographer Ohad Naharin, the artistic director of Israel’s Batsheva Dance Company. Thoughtfully and painstakingly researched, the film is packed with visually arresting archival footage from every stage of Naharin’s professional (and personal) life…
Choreographed pieces move in kinetic bursts from the rehearsal studio to the stage and, in interviews, dancers who’ve worked with him and colleagues from different periods offer insights in terms both admiring and blunt. Naharin is similarly expressive – about… the joys of physical expression, his struggles to convey his vision to those tasked with embodying it and the dance-world backdrop against which he developed his singular choreographic style and movement language, known as Gaga.
Heymann, a veteran documentarian whose filmography includes an earlier work about Naharin, skillfully constructs a portrait from these elements, methodically adding layers and sometimes revisiting previously seen footage, arming the viewer with new revelations and a more complicated understanding.” — Lynn Rapoport, San Francisco International Film Festival
Investigative journalism meets conspiracy thriller as Alex Gibney (Going Clear, NZIFF15) goes on the trail of Stuxnet, the extraordinary computer virus that metastasised around the world before it arrived at its target, Iranian nuclear facilities, and performing its mission: exploding uranium-enrichment centrifuges.
Undeterred by muzzled officials, the indomitable Gibney shows how Stuxnet – or ‘Olympic Games’, as its architects called it – was cooked up covertly by the US and Israel, creating a new level of virus complexity and a new class of weapon. One of Gibney’s sources, dramatised as a composite individual and played by a digitally reconstituted actor (one of many striking visual effects), says the worm may never have come to public attention had it not been for a unilateral Israeli move to recalibrate Stuxnet’s code and accelerate its impact. A wider operation had to be abandoned, and Tehran retaliated in kind, attacking US institutions with malware and parading its own burgeoning ‘cyber army’.
Gibney manages not only to illuminate in plain terms how Stuxnet worked, but to also issue a powerful warning about the Pandora’s box it opens. Echoing ideas explored in his WikiLeaks documentary We Steal Secrets, Gibney argues that in the face of an emerging cyber-conflict threat, which is analogous to that of nuclear weapons many decades ago, international norms and rules of engagement must be developed outside the shadows of secrecy and denial. — Toby Manhire
“Zero Days is reminiscent of that scene in Skyfall when Q tells 007 that he can do more damage with his laptop before his morning cup of Earl Grey than Bond can do in a year.” — Nicholas Barber, BBC
The German-Jewish philosopher Hannah Arendt left her indelible imprint on 20th-century thought by coining the concept of the ‘banality of evil’ when reporting on the 1963 trial of Nazi war criminal Adolph Eichmann. This spirited documentary illuminates that often abused idea and draws a larger picture of Arendt’s often conflicted engagement with the defining phenomena of her era – and maybe ours too.
Richly illustrated with historical footage, Vita Activa offers an intimate portrait of Arendt’s life and work – both deeply informed by the aftermath of World War I, the rise of Nazi Germany and its systematic elimination of European Jews.
“Directed by Israeli documentarian Ada Ushpiz, who has degrees in philosophy and history as well as filmmaking experience, Vita Activa closely examines Arendt’s ‘active life’ with the goal of putting us inside her formative experiences, the better to reveal who she was and where her attitudes came from. There are interviews with old friends and academic experts and extensive use of filmed interviews Arendt herself gave, as well as the effective reading of excerpts from her essays and letters by actress Alison Darcy. Though the talk is smart and constant here, Vita Activa also benefits from the director’s sharp eye for effective, often rarely seen newsreel and home-movie footage.” — Kenneth Turan, LA Times
“There are moments in Vita Activa, an urgent and often startling documentary from Israeli director Ada Ushpiz, where I could feel her trying to reach across the decades and talk to us.” — Andrew O’Hehir, Salon
CANTERBURY UNIVERSITY: RAPHAEL WEIN AND NAFTALI GROSS
Tuesday October 25, 12 noon
THE NZ INSTITUTE OF INTERNATIONAL AFFAIRS INVITES YOU TO WHAT PROMISES TO BE AN ENGAGING AND FASCINATING ADDRESS
Ethical Dilemmas of Serving in the Israeli Defense Forces: Israel’s war against terrorism.
About the Speakers:
Raphael is a Business Administration and Political Science Student at Ariel University and is a reservist in the IDF. Naftali is a medical student at the Hebrew University and a volunteer paramedic for Magen David (the equivalent of St John’s Ambulance Service in NZ) and is also a reservist in the IDF. Both were combatants in the 2014 Gaza War.
Venue: Logie 104, University of Canterbury, Ilam, Christchurch.
A map showing the location of the venue may be obtained by clicking this link.
Admission is free
Feel free to pass this notice on to anyone else you feel may be interested.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
THE STORY OF THE JEWS
(Part I)
CHRISTCHURCH:
SUNDAY, 2PM, 18 NOVEMBER 2018
Northwood Villa Clubrooms, O’Neill Ave, Christchurch (Note the change in venue, being different than that in the newsletter, please advise your friends and other members if you know they are interested in coming).
Simon Schama presents an epic five-part series exploring the extraordinary story of the Jewish experience from ancient times to the present day. Drawing on original scholarship and Sharma’s own family history, this is a story that is at once deeply historical and utterly contemporary, taking viewers on a journey from the biblical past to tomorrow’s front pages. Travelling the globe from the Middle East to Eastern Europe, from New York and Burlington to Cairo in Jerusalem, the story unfolds with the help of a dazzling cast of historical characters, vivid storytelling, stunning location photography, and encounters with people who live with the passions and perplexities of the Jewish story today. At the heart of the story of the Jews is a compelling argument about distinctiveness and difference, separation and isolation, tolerance and prejudice, but it is also a celebration of the ways in which Jewish thought, Jewish imagination and Jewish achievement have transformed the world for us all.
In a review for The Daily Telegraph, Neil Midgley described the first episode as a “resounding success”, saying: “Schama told the story efficiently and evocatively – and deftly picked out stories that would illustrate his overarching thesis about how Judaism managed to survive…In Schama’s view, to be a Jew is to be verbal…By the end of this first episode, Schama had given the title of his programme an intriguing double meaning. Over its four remaining parts, The Story of the Jews promises to be not only a chronological history, but also a common narrative of what unifies and fortifies Jewish people”
Part 1 starts with Creation
Where: Northwood Villa Clubrooms, McNeill Ave, Northwood, Christchurch. Please note the venue is different from that published in our newsletter.
When: 2pm, Sunday November 18.
Admission: A plate of finger food. Please no pork or seafood products.
THE STORY OF THE JEWS
(Part II)
CHRISTCHURCH:
SUNDAY, 2PM, 17 February 2019
Northwood Villa Clubrooms, O’Neill Ave, Christchurch
Simon Schama presents an epic five-part series exploring the extraordinary story of the Jewish experience from ancient times to the present day. Drawing on original scholarship and Sharma’s own family history, this is a story that is at once deeply historical and utterly contemporary, taking viewers on a journey from the biblical past to tomorrow’s front pages. Travelling the globe from the Middle East to Eastern Europe, from New York and Burlington to Cairo in Jerusalem, the story unfolds with the help of a dazzling cast of historical characters, vivid storytelling, stunning location photography, and encounters with people who live with the passions and perplexities of the Jewish story today. At the heart of the story of the Jews is a compelling argument about distinctiveness and difference, separation and isolation, tolerance and prejudice, but it is also a celebration of the ways in which Jewish thought, Jewish imagination and Jewish achievement have transformed the world for us all.
In a review for The Daily Telegraph, Neil Midgley described the first episode as a “resounding success”, saying: “Schama told the story efficiently and evocatively – and deftly picked out stories that would illustrate his overarching thesis about how Judaism managed to survive…In Schama’s view, to be a Jew is to be verbal…By the end of this first episode, Schama had given the title of his programme an intriguing double meaning. Over its four remaining parts, The Story of the Jews promises to be not only a chronological history, but also a common narrative of what unifies and fortifies Jewish people”
Part 1 starts with Creation
Where: Northwood Villa Clubrooms, McNeill Ave, Northwood, Christchurch. Please note the venue is different from that published in our newsletter.
When: 2pm, Sunday February 17.
Admission: A plate of finger food. Please no pork or seafood products.