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An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
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