Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
Investigative journalism meets conspiracy thriller as Alex Gibney (Going Clear, NZIFF15) goes on the trail of Stuxnet, the extraordinary computer virus that metastasised around the world before it arrived at its target, Iranian nuclear facilities, and performing its mission: exploding uranium-enrichment centrifuges.
Undeterred by muzzled officials, the indomitable Gibney shows how Stuxnet – or ‘Olympic Games’, as its architects called it – was cooked up covertly by the US and Israel, creating a new level of virus complexity and a new class of weapon. One of Gibney’s sources, dramatised as a composite individual and played by a digitally reconstituted actor (one of many striking visual effects), says the worm may never have come to public attention had it not been for a unilateral Israeli move to recalibrate Stuxnet’s code and accelerate its impact. A wider operation had to be abandoned, and Tehran retaliated in kind, attacking US institutions with malware and parading its own burgeoning ‘cyber army’.
Gibney manages not only to illuminate in plain terms how Stuxnet worked, but to also issue a powerful warning about the Pandora’s box it opens. Echoing ideas explored in his WikiLeaks documentary We Steal Secrets, Gibney argues that in the face of an emerging cyber-conflict threat, which is analogous to that of nuclear weapons many decades ago, international norms and rules of engagement must be developed outside the shadows of secrecy and denial. — Toby Manhire
“Zero Days is reminiscent of that scene in Skyfall when Q tells 007 that he can do more damage with his laptop before his morning cup of Earl Grey than Bond can do in a year.” — Nicholas Barber, BBC
The German-Jewish philosopher Hannah Arendt left her indelible imprint on 20th-century thought by coining the concept of the ‘banality of evil’ when reporting on the 1963 trial of Nazi war criminal Adolph Eichmann. This spirited documentary illuminates that often abused idea and draws a larger picture of Arendt’s often conflicted engagement with the defining phenomena of her era – and maybe ours too.
Richly illustrated with historical footage, Vita Activa offers an intimate portrait of Arendt’s life and work – both deeply informed by the aftermath of World War I, the rise of Nazi Germany and its systematic elimination of European Jews.
“Directed by Israeli documentarian Ada Ushpiz, who has degrees in philosophy and history as well as filmmaking experience, Vita Activa closely examines Arendt’s ‘active life’ with the goal of putting us inside her formative experiences, the better to reveal who she was and where her attitudes came from. There are interviews with old friends and academic experts and extensive use of filmed interviews Arendt herself gave, as well as the effective reading of excerpts from her essays and letters by actress Alison Darcy. Though the talk is smart and constant here, Vita Activa also benefits from the director’s sharp eye for effective, often rarely seen newsreel and home-movie footage.” — Kenneth Turan, LA Times
“There are moments in Vita Activa, an urgent and often startling documentary from Israeli director Ada Ushpiz, where I could feel her trying to reach across the decades and talk to us.” — Andrew O’Hehir, Salon
It’s that time of the year again folks.
Please submit nominations for Committee members and President one week beforehand, being 5pm Sunday 14 August.
After the formalities are over, we will be showing the movie “The Concert.”
“The Concert” is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou.
It is about the redemption of a former world-famous conductor of the Bolshoi Theatre orchestra, known as “The Maestro,” Andrey Simonovich Filipov, who had had his career publicly broken by Leonid Brezhnev for defending Jewish musicians and is reduced to working as a mere janitor in the theatre where he once conducted, becoming an alcoholic in the process.
It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
Please bring a plate of finger food. We’d be grateful if you avoided pork or seafood products.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
It’s that time of the year. If you would like to nominate another member for the committee, please send your nomination to our secretary, Rebecca (contact details below).
After the AGM we will be showing a hilarious episode of “Yes Prime Minister”, the episode when PM Jim Hacker discovers what his Ministry of Foreign Affairs really thinks about Israel.
Please bring a plate of finger food. Of course, please exclude any pork and seafood products.
Our AGM will be held on 2pm, Sunday 12 July at the Piharau Room, Halswell Centre, 341 Halswell Rd, . Send nominations for the committee to us by 10 July.
After the AGM we will be showing the highly entertaining comedy about a Jewish Bakery, entitled “Dough”. Please bring a plate of finger food. No pork or seafood products. Thanks.
Dough is a heartwarming about a Jewish baker and his community.
Some of the most interesting movies that I’ve seen focus on food: “Big Night”, “Chocolat” and “Chef”, to name a few. Now we have “Dough”. Part look at Jewish baking, part look at a mixing of cultures, it hits all the right notes. Basically, it reminds us that we’re all human, all trying to survive in this modern world. But it’s also got some funny stuff and great lines. I’ve liked Jonathan Pryce in every role where I’ve seen him, and I hope that newcomer Jerome Holder gets more roles like this one. Definitely worth seeing. — IMDB
Hi Folks, its AGM time again.
This year, its in the Library of the Old Vicarage, 335 Halswell Road, Christchurch 8025.
We look forward to seeing you.
There has been a lot happening with Israel and Antisemitism since our last meeting. To name a few:
- The ICC prosecutor announces he is seeking arrest warrants for Israeli and Hamas leaders.
- ICJ orders Israel to stop Rafah assault.
- Spain, Ireland and Norway formally recognize Palestine as a state.
- A Christchurch teachers decides to go on a hunger strike hoping to pressure NZ’s government to push harder for a ceasefire.
- The US completes its kitset wharf and additional aid flows into Gaza.
- New evidence shows Hamas is diverting the aid so that it can profit by selling it on the black market.
- The Rafah assault continues in earnest. Hamas is starting to show more enthusiasm for a ceasefire.
After the briefing and Q&A we will be holding our Annual General Meeting (AGM), a pivotal event in our calendar. Here’s why you should attend:
- Transparency and Accountability: The AGM provides a transparent platform where we share our achievements, challenges, and financial performance. Your participation ensures accountability.
- Shape Our Future: Your voice matters! At the AGM, you can contribute ideas, vote on key decisions, and help shape our strategic direction for the coming year.
- Community Bonding: Connect with fellow members, volunteers, and our passionate team. Forge new relationships and celebrate our collective impact.
MARK YOUR CALENDAR: 7.30pm, Thursday, MAY 30. Hao Room, Halswell Centre, 341 Halswell Rd, Christchurch.
Together, let’s continue our mission of fighting racism and intolerance through raising awareness of Jewish history and culture. We look forward to seeing you!
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Limmud is a cross-communal ‘festival of learning’ which last year attracted over 25000 participants to its events, held across five continents, in almost forty countries. It started in the UK 30 years ago where the annual five-day event now attracts 2,500 people from across the religious spectrum and boasts 350 presenters offering some 900 sessions.
Limmud aims to enable each participant to go one step further on their own Jewish journey. One of the key principles behind what has now become an international cross-communal movement is that we all have something to contribute and can learn from each other. Presenters are treated as part of the community, they are volunteers like those who organise the events and all are rewarded by the opportunity to learn from each other. Becoming Limmud NZ makes us part of an exciting worldwide movement.
Limmud has core principles that we feel reflect our community. The catchphrase behind Limmud is “Every Jew should be a student and everyone can be a teacher”. This seems very much to capture what our organizing committee believes, and we are eager for more local presenters to put themselves forward and to encourage people to volunteer. Even an hour will make a huge difference to the success of the first Limmud conference on 18/19 August. Expanding Jewish horizons, empowering individuals to contribute to their community and enabling connections to be made between individuals and across communities are the values behind Limmud International and behind Limmud NZ. We also love the emphasis on ensuring all participants feel equally respected and comfortable at Limmud, no matter which shul they go to, or don’t go to. All Limmud events will be strictly kosher to enable participants to eat and enjoy together.
Limmud, of course, means learning and it is about learning but not in a formalized way. The great thing about the format is it is “pick and mix”. Each session runs for an hour, and there are five different streams to choose from.You just pick what you want to go to – discussion of an ethical dilemma with local and international experts, an intimate text study, a film discussion, or sessions relating to parenting issues. If you need a break for a session, grab a coffee and schmooze. The only thing we can’t do for you is arrange for you to be at two sessions at once – although some sessions are repeated.
Keep these dates free, more information to come.