Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
Investigative journalism meets conspiracy thriller as Alex Gibney (Going Clear, NZIFF15) goes on the trail of Stuxnet, the extraordinary computer virus that metastasised around the world before it arrived at its target, Iranian nuclear facilities, and performing its mission: exploding uranium-enrichment centrifuges.
Undeterred by muzzled officials, the indomitable Gibney shows how Stuxnet – or ‘Olympic Games’, as its architects called it – was cooked up covertly by the US and Israel, creating a new level of virus complexity and a new class of weapon. One of Gibney’s sources, dramatised as a composite individual and played by a digitally reconstituted actor (one of many striking visual effects), says the worm may never have come to public attention had it not been for a unilateral Israeli move to recalibrate Stuxnet’s code and accelerate its impact. A wider operation had to be abandoned, and Tehran retaliated in kind, attacking US institutions with malware and parading its own burgeoning ‘cyber army’.
Gibney manages not only to illuminate in plain terms how Stuxnet worked, but to also issue a powerful warning about the Pandora’s box it opens. Echoing ideas explored in his WikiLeaks documentary We Steal Secrets, Gibney argues that in the face of an emerging cyber-conflict threat, which is analogous to that of nuclear weapons many decades ago, international norms and rules of engagement must be developed outside the shadows of secrecy and denial. — Toby Manhire
“Zero Days is reminiscent of that scene in Skyfall when Q tells 007 that he can do more damage with his laptop before his morning cup of Earl Grey than Bond can do in a year.” — Nicholas Barber, BBC
The German-Jewish philosopher Hannah Arendt left her indelible imprint on 20th-century thought by coining the concept of the ‘banality of evil’ when reporting on the 1963 trial of Nazi war criminal Adolph Eichmann. This spirited documentary illuminates that often abused idea and draws a larger picture of Arendt’s often conflicted engagement with the defining phenomena of her era – and maybe ours too.
Richly illustrated with historical footage, Vita Activa offers an intimate portrait of Arendt’s life and work – both deeply informed by the aftermath of World War I, the rise of Nazi Germany and its systematic elimination of European Jews.
“Directed by Israeli documentarian Ada Ushpiz, who has degrees in philosophy and history as well as filmmaking experience, Vita Activa closely examines Arendt’s ‘active life’ with the goal of putting us inside her formative experiences, the better to reveal who she was and where her attitudes came from. There are interviews with old friends and academic experts and extensive use of filmed interviews Arendt herself gave, as well as the effective reading of excerpts from her essays and letters by actress Alison Darcy. Though the talk is smart and constant here, Vita Activa also benefits from the director’s sharp eye for effective, often rarely seen newsreel and home-movie footage.” — Kenneth Turan, LA Times
“There are moments in Vita Activa, an urgent and often startling documentary from Israeli director Ada Ushpiz, where I could feel her trying to reach across the decades and talk to us.” — Andrew O’Hehir, Salon
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
A young girl is taken to an aid station in Alleppo
The Failure of the
UN and International Law in Syria:
A Classical Realist Perspective
Speaker: Jeremy Moses
Date: Monday 13 August 2018
Time: 5pm for 5:30pm
Venue: South Arts Lecture Theatre A4
CHRISTCHURCH:
“ASK ME ANYTHING” (AMA) SESSION
WITH
RABBI ARIEL TAL
RABBI OF THE WELLINGTON JEWISH COMMUNITY
19 SEPTEMBER 2019
Following the massacres, it’s clear that there is a lack of knowledge and understanding of minorities in our community. With that lack comes uncertainty, anxiety and even fear. Unfortunately we humans often respond with prejudice and intolerance. One of those minorities is the Jewish community and those who adhere to Judaism.
We are honoured to host Rabbi Ariel Tal to join us for an “Ask Me Anything” session where he will take questions from the floor.
Rabbi Ariel Tal is an experienced educator, Rabbi and marketing expert, serving in positions in both North America and Israel. Rabbi Tal has a education degree from Ohalo College in the Golan Heights, Israel, Rabbinical Semicha from Israel Chief Rabbinate, and is a Personal Coach through Da’at U’Tevuna School in Rechovot, Israel. He has taught at the Netivot HaTorah Day School in Toronto, Kibbutz Lavi Primary School and the educational organisation Livnot U’Lehibanot.
With such wide experiences, Ariel is well able to answer questions on Judaism, Jewish life in Israel, the Diaspora and New Zealand.
Ever wondered what Judaism stood for? What it says about the meaning of life? What Judaism says about how the world ends?
A Jewish perspective on the Middle East Conflict and Palestinian Arab relations? What Jews outside of Israel think of the Middle Eastern situation?
What impression New Zealanders have made on Ariel and his family? His thoughts on New Zealand culture and what its like to live in Wellington?
That’s just a few questions you could ask him.
A rare opportunity to publicly quiz a Jewish Rabbi in person.
Where: Sumner Community Centre, 14-16 Wakefield Avenue, Sumner, Christchurch.
When: 7.30pm, Thursday, September 19.
Admission: A plate of finger food. Please avoid pork and seafood products. A collection will be taken to help defray expenses.
ABOUT THE SPEAKER
Andrew Tucker (1963) studied law in Australia (BA/LLB), UK (BCL) and The Netherlands, and has worked since 1988 as an adviser and consultant to private companies, governments and (semi-)public entities in various fields of international law.
Andrew was a Fellow of the Law Faculty of the University of Melbourne from 1994 to 2001, and Research Associate at the TMC Asser Institute in The Hague from 1996-1998. Based in The Netherlands, he is Principal of Tucker & Associates.
Andrew is co-author of ‘Israel on Trial’, Soest (NLD), thinc. (2018) and “Two states for two peoples?” (2022/23)
ABOUT THE SPEAKER
Andrew Tucker (1963) studied law in Australia (BA/LLB), UK (BCL) and The Netherlands, and has worked since 1988 as an adviser and consultant to private companies, governments and (semi-)public entities in various fields of international law.
Andrew was a Fellow of the Law Faculty of the University of Melbourne from 1994 to 2001, and Research Associate at the TMC Asser Institute in The Hague from 1996-1998. Based in The Netherlands, he is Principal of Tucker & Associates.
Andrew is co-author of ‘Israel on Trial’, Soest (NLD), thinc. (2018) and “Two states for two peoples?” (2022/23)
We are gathering at 11.30am behind the Verdict Cafe for prayer, briefing and singing.
Our theme song is
OH DAUGHTERS OF ZION
We will have song sheets available.
At 12 noon we will raise the flags and walk to opposite the Plaza, where we will sing, pray, and declare we are with the Nation of ISRAEL.
Come and stand with us.