Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
Investigative journalism meets conspiracy thriller as Alex Gibney (Going Clear, NZIFF15) goes on the trail of Stuxnet, the extraordinary computer virus that metastasised around the world before it arrived at its target, Iranian nuclear facilities, and performing its mission: exploding uranium-enrichment centrifuges.
Undeterred by muzzled officials, the indomitable Gibney shows how Stuxnet – or ‘Olympic Games’, as its architects called it – was cooked up covertly by the US and Israel, creating a new level of virus complexity and a new class of weapon. One of Gibney’s sources, dramatised as a composite individual and played by a digitally reconstituted actor (one of many striking visual effects), says the worm may never have come to public attention had it not been for a unilateral Israeli move to recalibrate Stuxnet’s code and accelerate its impact. A wider operation had to be abandoned, and Tehran retaliated in kind, attacking US institutions with malware and parading its own burgeoning ‘cyber army’.
Gibney manages not only to illuminate in plain terms how Stuxnet worked, but to also issue a powerful warning about the Pandora’s box it opens. Echoing ideas explored in his WikiLeaks documentary We Steal Secrets, Gibney argues that in the face of an emerging cyber-conflict threat, which is analogous to that of nuclear weapons many decades ago, international norms and rules of engagement must be developed outside the shadows of secrecy and denial. — Toby Manhire
“Zero Days is reminiscent of that scene in Skyfall when Q tells 007 that he can do more damage with his laptop before his morning cup of Earl Grey than Bond can do in a year.” — Nicholas Barber, BBC
The German-Jewish philosopher Hannah Arendt left her indelible imprint on 20th-century thought by coining the concept of the ‘banality of evil’ when reporting on the 1963 trial of Nazi war criminal Adolph Eichmann. This spirited documentary illuminates that often abused idea and draws a larger picture of Arendt’s often conflicted engagement with the defining phenomena of her era – and maybe ours too.
Richly illustrated with historical footage, Vita Activa offers an intimate portrait of Arendt’s life and work – both deeply informed by the aftermath of World War I, the rise of Nazi Germany and its systematic elimination of European Jews.
“Directed by Israeli documentarian Ada Ushpiz, who has degrees in philosophy and history as well as filmmaking experience, Vita Activa closely examines Arendt’s ‘active life’ with the goal of putting us inside her formative experiences, the better to reveal who she was and where her attitudes came from. There are interviews with old friends and academic experts and extensive use of filmed interviews Arendt herself gave, as well as the effective reading of excerpts from her essays and letters by actress Alison Darcy. Though the talk is smart and constant here, Vita Activa also benefits from the director’s sharp eye for effective, often rarely seen newsreel and home-movie footage.” — Kenneth Turan, LA Times
“There are moments in Vita Activa, an urgent and often startling documentary from Israeli director Ada Ushpiz, where I could feel her trying to reach across the decades and talk to us.” — Andrew O’Hehir, Salon
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
See you there!
The Bibas Family, in happier times
The DCM at the Embassy, Yael Holan has asked if we would like to “adopt” a family of hostages to raise awareness of their plight.
They are the Bibas family.
Kfir, Ariel and Shiri Bibas, and presumably their father Yarden were all kidnapped from Nir Oz, an Israeli kibbutz that was devastated when it came under attack by Hamas militants on October 7. The attackers murdered more than a quarter of the community and seized scores of others, as they fired at people’s homes, looted and destroyed what they could.
The armed wing of Hamas has claimed, without providing evidence, that Kfir, his 4-year-old brother, Ariel, and their mother, Shiri, were killed in an Israeli airstrike. The armed wing, the Al-Qassam Brigades, said they had been killed in earlier Israeli bombing.
Kfir was nine months old when he was abducted, he will turn one on January 18.
We are proposing to hold a special meeting for them on Thursday, January 18.
Hao Room, Halswell Centre, 341 Halswell Rd, Christchurch.
Dr Sheree Trotter
Indigenous Peoples and the Middle East Conflict
Today, one hears that the Palestinians are an indigenous people that is having their homeland stolen from them by the white settler colonialists, the Jews. Is this true?
The events of October 7 have divided New Zealanders. The connection to indigenous rights has created fault lines for our Maori community.
On Thursday, we are delighted to welcome Dr Sheree Trotter to talk to us about the establishment of the Indigenous Embassy Jerusalem and her views on how the Middle East Conflict has impacted her Maori Community.
ABOUT THE SPEAKER
Dr Sheree Trotter is a researcher, writer, and co-director of the Indigenous Coalition For Israel. She also co-founded the Holocaust and Antisemitism Foundation, Aotearoa New Zealand (formerly Shadows of Shoah). Sheree is Māori (Te Arawa) and earned her PhD in History at the University of Auckland.
Hi Folks
Are you shocked by the killing of innocent civilians? Are you feeling conflicted as to who is “in the right” in the Israeli-Gaza conflict? Why as a Christian should you care about a dispute on the other side of the world? Are you puzzling over what a Christian response should be? If any of these questions resonate with you, then this event is for you.
Hope Presbyterian in Amyes Rd Hornby, has invited us to join a discussion panel at their evening service, this Sunday at 7pm.
The topic is: What should be the Christian attitude toward Israel and Gaza?
They have already had two sermons over the last two weeks on the history of Israel for background, and the sermons can be found here (click the image):
You’re invited to take part in this fascinating discussion. The Q&A session is going to be informative and rewarding. Even more so, if you have thought about it already so bring some questions with you.
See you there!