Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.
The Prime Ministers (2015)
The Prime Ministers: Soldiers and Peacemakers, examines Ambassador Avner’s experiences with Prime Ministers Yitzhak Rabin, Menachem Begin and Shimon Peres as well as his service as Israel’s Ambassador to England. The early efforts at negotiating agreements with Egypt, the raid on Entebbe, Anwar Sadat’s historic visit to Jerusalem, the Camp David Accords, the bombing of Iraq’s nuclear facility, the war in Lebanon, the Oslo Accords and the ongoing struggle to make peace with Israel’s Arab neighbors and the Palestinians are some of the topics covered as The Prime Ministers: Soldiers and Peacemakers builds to its dramatic and emotional conclusion.
Weaving a rich tapestry of history and personal testimonies, The Prime Ministers brings some of the most important events of the 20th and 21st centuries to life. Starring the voices of Sandra Bullock as Golda Meir, Michael Douglas as Yitzhak Rabin, Leonard Nimoy as Levi Eshkol and Christoph Waltz as Menachem Begin, The Prime Ministers: The Pioneers is written, produced and directed by Academy Award winner Richard Trank and co-written and produced by two-time Academy Award winner Rabbi Marvin Hier. Grammy and Emmy winner Lee Holdridge composed and conducted the films’ original score. 115 minutes.
JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.
The Kind Words (2015)
Follows three brothers who are going to discover the greatest secret of their late mother. This trip is going to change their lives.
118 minutes.
Israeli film Academy: Nominated for: this film, Best Dir, Best screenplay, Best actor, Best actress, Best Supporting Actor, Best Supporting Actress, Best Editing, Best Casting, Best Art Direction, Best Costume Design and Best Sound.
JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.
Atomic Falafel (2015)
Two girls from nuclear towns in Israel and Iran spill their countries most valuable secrets on Facebook while trying to prevent a nuclear crisis. 100 minutes.
Awards of the Israeli Film Academy 2015
| Nominated Award of the Israeli Film Academy |
Best Supporting Actress Mali Levi |
| Best Casting Limor Shmila Levana Hakim Maayan Habani |
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| Best Costume Design Chen Gilad |
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| Best Music Ran Shem-Tov |
JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.
A Tale of Love and Darkness (2015)
A drama based on the memoir of Amos Oz, a writer, journalist, and advocate of a two-state solution to the Israeli-Palestinian conflict.
95 minutes.
| Nominated Golden Camera |
Natalie Portman |
JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.
Censored Voices (2015)
The 1967 ‘Six-Day’ war ended with Israel’s decisive victory; conquering Jerusalem, Gaza, Sinai and the West Bank. It is a war portrayed, to this day, as a righteous undertaking – a radiant emblem of Jewish pride. One week after the war, a group of young kibbutzniks, led by renowned author Amos Oz, recorded intimate conversations with soldiers returning from the battlefield. The recording revealed an honest look at the moment Israel turned from David to Goliath. The Israeli army censored the recordings, allowing the kibbutzniks to publish only a fragment of the conversations. ‘Censored Voices’ reveals the original recordings for the first time.
84 minutes.
Awards of the Israeli Film Academy 2015
| Won Award of the Israeli Film Academy |
Best Documentary |
DocAviv Film Festival 2015
| Won Israeli Competition |
Yafo Award for Best Debut Film Mor Loushy “It’s rare to see a film from a young filmmaker that treats a complex subject with such depth, … More |
| Research Award Mor Loushy “Bringing together a wealth of previously unseen and unheard archive materials and combining them … More |
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| Nominated Israeli Competition |
Best Israeli Film Mor Loushy |
London Film Festival 2015
| Nominated Grierson Award |
Documentary Film Mor Loushy |
Sundance Film Festival 2015
| Nominated Grand Jury Prize |
World Cinema – Documentary Mor Loushy |
JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.
Sabena Hijacking (2015)
Sabena Hijacking My Version is a powerful, suspenseful docu-drama based on previously undiscovered audio recordings of the former pilot, Captain Reginald Levy. Captain Levy (now deceased) was in command of the Sabena Flight 571 from Brussels, Belgium to Tel Aviv, Israel on 8 May 1972, when it was hijacked by four members from the “Black September”, the armed wing of Fatah or Palestine Liberalization Organisation.
The film finally shares the untold story of what exactly took place on the flight throughout 30 hours of nerve-wrecking captivity. It channels the English pilots impartial view of the events and elaborates on them with exclusive access to three revered Israeli political leaders who were in charge of the rescue effort, as well as the only surviving hijacker, who tell their own story.
Current Prime Minister Benjamin Netanyahu featured, alongside the other key political decision makers at the time, former Prime Minister Ehud Barak and former Prime Minister, President and Nobel Prize winner Shimon Peres.
Therese Halsa, one of the four hijackers who was a girl of just 18 at the time, gives her version of events, following release from a 220 year prison sentence of which she served 13 years. Sabena Hijacking My Version fuses candid interviews with archive material and dramatic reenactments of the tense scenes inside the aircraft and the control tower as Captain Levy was held at gunpoint.
It takes viewers into the aircraft to witness the events first-hand as the hijackers threatened to explode hand grenades unless 300 prisoners were released. It also gives insight to the tense negotiations which eventually led to a heroic rescue operation during which a special unit of soldiers (disguised as technicians) stormed the plane.
The result is a captivating, fast-paced film full of suspense, which poses significant political and historical questions that are not only still important, but have shaped the Israel of today.
104 minutes.
CANTERBURY UNIVERSITY: RAPHAEL WEIN AND NAFTALI GROSS
Tuesday October 25, 12 noon
THE NZ INSTITUTE OF INTERNATIONAL AFFAIRS INVITES YOU TO WHAT PROMISES TO BE AN ENGAGING AND FASCINATING ADDRESS
Ethical Dilemmas of Serving in the Israeli Defense Forces: Israel’s war against terrorism.
About the Speakers:
Raphael is a Business Administration and Political Science Student at Ariel University and is a reservist in the IDF. Naftali is a medical student at the Hebrew University and a volunteer paramedic for Magen David (the equivalent of St John’s Ambulance Service in NZ) and is also a reservist in the IDF. Both were combatants in the 2014 Gaza War.
Venue: Logie 104, University of Canterbury, Ilam, Christchurch.
A map showing the location of the venue may be obtained by clicking this link.
Admission is free
Feel free to pass this notice on to anyone else you feel may be interested.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
A young girl is taken to an aid station in Alleppo
The Failure of the
UN and International Law in Syria:
A Classical Realist Perspective
Speaker: Jeremy Moses
Date: Monday 13 August 2018
Time: 5pm for 5:30pm
Venue: South Arts Lecture Theatre A4