Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
If you’ve not heard of Israeli choreographer Ohad Naharin, you’ll wonder how that could have been once you’ve seen what he does in this film. For dance aficionados, this is surely the most anticipated artist portrait since Wim Wenders’ Pina.
“A spectacular and celebratory investigation of a modern dancer’s creative process, this documentary tracks the four decades-long career of renowned choreographer Ohad Naharin, the artistic director of Israel’s Batsheva Dance Company. Thoughtfully and painstakingly researched, the film is packed with visually arresting archival footage from every stage of Naharin’s professional (and personal) life…
Choreographed pieces move in kinetic bursts from the rehearsal studio to the stage and, in interviews, dancers who’ve worked with him and colleagues from different periods offer insights in terms both admiring and blunt. Naharin is similarly expressive – about… the joys of physical expression, his struggles to convey his vision to those tasked with embodying it and the dance-world backdrop against which he developed his singular choreographic style and movement language, known as Gaga.
Heymann, a veteran documentarian whose filmography includes an earlier work about Naharin, skillfully constructs a portrait from these elements, methodically adding layers and sometimes revisiting previously seen footage, arming the viewer with new revelations and a more complicated understanding.” — Lynn Rapoport, San Francisco International Film Festival
Investigative journalism meets conspiracy thriller as Alex Gibney (Going Clear, NZIFF15) goes on the trail of Stuxnet, the extraordinary computer virus that metastasised around the world before it arrived at its target, Iranian nuclear facilities, and performing its mission: exploding uranium-enrichment centrifuges.
Undeterred by muzzled officials, the indomitable Gibney shows how Stuxnet – or ‘Olympic Games’, as its architects called it – was cooked up covertly by the US and Israel, creating a new level of virus complexity and a new class of weapon. One of Gibney’s sources, dramatised as a composite individual and played by a digitally reconstituted actor (one of many striking visual effects), says the worm may never have come to public attention had it not been for a unilateral Israeli move to recalibrate Stuxnet’s code and accelerate its impact. A wider operation had to be abandoned, and Tehran retaliated in kind, attacking US institutions with malware and parading its own burgeoning ‘cyber army’.
Gibney manages not only to illuminate in plain terms how Stuxnet worked, but to also issue a powerful warning about the Pandora’s box it opens. Echoing ideas explored in his WikiLeaks documentary We Steal Secrets, Gibney argues that in the face of an emerging cyber-conflict threat, which is analogous to that of nuclear weapons many decades ago, international norms and rules of engagement must be developed outside the shadows of secrecy and denial. — Toby Manhire
“Zero Days is reminiscent of that scene in Skyfall when Q tells 007 that he can do more damage with his laptop before his morning cup of Earl Grey than Bond can do in a year.” — Nicholas Barber, BBC
The German-Jewish philosopher Hannah Arendt left her indelible imprint on 20th-century thought by coining the concept of the ‘banality of evil’ when reporting on the 1963 trial of Nazi war criminal Adolph Eichmann. This spirited documentary illuminates that often abused idea and draws a larger picture of Arendt’s often conflicted engagement with the defining phenomena of her era – and maybe ours too.
Richly illustrated with historical footage, Vita Activa offers an intimate portrait of Arendt’s life and work – both deeply informed by the aftermath of World War I, the rise of Nazi Germany and its systematic elimination of European Jews.
“Directed by Israeli documentarian Ada Ushpiz, who has degrees in philosophy and history as well as filmmaking experience, Vita Activa closely examines Arendt’s ‘active life’ with the goal of putting us inside her formative experiences, the better to reveal who she was and where her attitudes came from. There are interviews with old friends and academic experts and extensive use of filmed interviews Arendt herself gave, as well as the effective reading of excerpts from her essays and letters by actress Alison Darcy. Though the talk is smart and constant here, Vita Activa also benefits from the director’s sharp eye for effective, often rarely seen newsreel and home-movie footage.” — Kenneth Turan, LA Times
“There are moments in Vita Activa, an urgent and often startling documentary from Israeli director Ada Ushpiz, where I could feel her trying to reach across the decades and talk to us.” — Andrew O’Hehir, Salon
CANTERBURY UNIVERSITY: RAPHAEL WEIN AND NAFTALI GROSS
Tuesday October 25, 12 noon
THE NZ INSTITUTE OF INTERNATIONAL AFFAIRS INVITES YOU TO WHAT PROMISES TO BE AN ENGAGING AND FASCINATING ADDRESS
Ethical Dilemmas of Serving in the Israeli Defense Forces: Israel’s war against terrorism.
About the Speakers:
Raphael is a Business Administration and Political Science Student at Ariel University and is a reservist in the IDF. Naftali is a medical student at the Hebrew University and a volunteer paramedic for Magen David (the equivalent of St John’s Ambulance Service in NZ) and is also a reservist in the IDF. Both were combatants in the 2014 Gaza War.
Venue: Logie 104, University of Canterbury, Ilam, Christchurch.
A map showing the location of the venue may be obtained by clicking this link.
Admission is free
Feel free to pass this notice on to anyone else you feel may be interested.
How I survived the Holocaust in Czechoslovakia
Please note that the venue has been changed from Room 201 to Room 203 in the same building.
ABOUT THE SPEAKER
Peter Gaspar is a Holocaust survivor and educator, who uses his experiences to help inform young people about the dangers of prejudice and discrimination. Peter was born in Bratislava in Czechoslovakia and survived the war by going into hiding. Along with his parents, Peter was hidden for three years and then during the last six months, Peter and his mother were interned in the Terezin Concentration Camp. Peter currently volunteers with the Courage to Care program in Melbourne inspiring young people to be more accepting and tolerant. This year he will also be travelling to schools throughout New Zealand, through the HOPE Project.
How I survived the Holocaust in Czechoslovakia
ABOUT THE SPEAKER
Peter Gaspar is a Holocaust survivor and educator, who uses his experiences to help inform young people about the dangers of prejudice and discrimination. Peter was born in Bratislava in Czechoslovakia and survived the war by going into hiding. Along with his parents, Peter was hidden for three years and then during the last six months, Peter and his mother were interned in the Terezin Concentration Camp. Peter currently volunteers with the Courage to Care program in Melbourne inspiring young people to be more accepting and tolerant. This year he will also be travelling to schools throughout New Zealand, through the HOPE Project.
How I survived the Holocaust in Czechoslovakia
There will be public meetings also in Wellington and Auckland; keep an eye out on our website for notices of these events once the times and dates have been confirmed.
ABOUT THE SPEAKER
Peter Gaspar is a Holocaust survivor and educator, who uses his experiences to help inform young people about the dangers of prejudice and discrimination. Peter was born in Bratislava in Czechoslovakia and survived the war by going into hiding. Along with his parents, Peter was hidden for three years and then during the last six months, Peter and his mother were interned in the Terezin Concentration Camp. Peter currently volunteers with the Courage to Care program in Melbourne inspiring young people to be more accepting and tolerant. This year he will also be travelling to schools throughout New Zealand, through the HOPE Project.
How I survived the Holocaust in Czechoslovakia
ABOUT THE SPEAKER
Peter Gaspar is a Holocaust survivor and educator, who uses his experiences to help inform young people about the dangers of prejudice and discrimination. Peter was born in Bratislava in Czechoslovakia and survived the war by going into hiding. Along with his parents, Peter was hidden for three years and then during the last six months, Peter and his mother were interned in the Terezin Concentration Camp. Peter currently volunteers with the Courage to Care program in Melbourne inspiring young people to be more accepting and tolerant. This year he will also be travelling to schools throughout New Zealand, through the HOPE Project.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.