Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
CANCELLED: Folks, unfortunately recently implemented visa requirements have meant that Stan does not have the necessary visas required to enter Australia. This has meant that the NZ leg of his speaking tour has been cancelled. We apologize for any inconvenience this may cause.
The Coming of the Kingdom of Heaven: How God used the ANZAC nations to help prepare the way for the King.
ABOUT THE SPEAKER
Stan has lived in Israel for half of his life even though he was born to a Gentile couple serving on the mission field in the small kingdom of Swaziland. Following three years volunteering on Israeli collective farms in the 1980s, he worked as a political reporter for the South African newspaper, The Daily Dispatch – where his pen had its training during apartheid’s waning years. He has traveled to various nations, speaking to Christians about developments in Israel. In 2011 he was accredited by the Israel Ministry of Tourism as a tour guide, and takes individuals, small groups, families, busloads and helicopter-loads of Christians around God’s Land. Stan has lived in Israel for half of his life even though he was born to a Gentile couple serving on the mission field in the small kingdom of Swaziland. Following three years volunteering on Israeli collective farms in the 1980s, he worked as a political reporter for the South African newspaper, The Daily Dispatch – where his pen had its training during apartheid’s waning years. He has traveled to various nations, speaking to Christians about developments in Israel. In 2011 he was accredited by the Israel Ministry of Tourism as a tour guide, and takes individuals, small groups, families, busloads and helicopter-loads of Christians around God’s Land.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.